By 1884, NG6585-NG6588, with a fifth also attributed to Beuckelaer, were in Room 12 of the gallery of the Palazzo Panciatichi (entrance via di Pinti 62), Florence. The palace and the paintings belonged to Ferdinando Panciatichi Ximenes d’Aragona (1813–1897), Marchese di Saturnia e d’Esche (Esche being in Bavaria). Ferdinando had made important additions to the ‘already considerable’ collections formed by his ancestors. The Four Elements could have come to him from his Panciatichi ancestors or from the Ximenes d’Aragona; alternatively, he could have inherited them from the Guicciardini, Valori or Pecori families. The Marchese died in 1897, leaving his property to his great-grandchildren. Their grandmother, the Marchese’s daughter Marianna Paolucci, had a life interest and decided to sell the collection – except portraits of members of the Panciatichi and Ximenes families and objects decorated with their coats of arms. The sale, directed by Galardelli and Mazzoni, took place on 3 April 1902 and the following days. The Beuckelaers, still in Room 12 (‘Salle L’), were sold as lot 165 on 11 April: ‘BEUCKELAER JOACHIM (1570) (Signé) LE MARCHE au gibier – le Marché aux légumes – le Marché aux poissons et la Cuisine. Quatre magnifiques compositions sur toile, pour décoration de salle à manger. Cadres dorés. M. 1.55 x 2.12.’ Air was reproduced in the sale catalogue. The next lot, 166, was obviously the fifth painting mentioned in 1884: ‘BEUCKELAER JOACHIM (1570) JEUNE BONNE au Marché. Cadre doré. Bois. M.1.55 x 1.95.’ The names of the purchasers have not been discovered; the fifth painting has not been traced.
In the Friedländer Archives at the Rijksbureau voor Kunsthistorische Documentatie, The Hague, are old photographs of three of the Four Elements. On the back of the photograph of Air, someone – probably not Friedländer himself – has written ‘Verz[ameling] Langevelt-Campens/Bruxelles/Rue Royale/161 [or 61]’. Modeste Langevelt (1871–1914) dealt in pictures and in 1912 was living at 202 rue Royale in Brussels. In 1899 he married, as his second wife, Elvire Marthe Campens (born 1871). She would appear to have been the ‘Langevelt-Campens’ whose name is written on the back of Friedländer’s photograph.
By 1942 NG6585-NG6588 were in the possession of Robert Goffinet (1886–1945) who owned two adjoining houses at 167–169 rue de la Loi, Brussels. His nephew Jean Goffinet remembered seeing them in that year at 167 rue de la Loi. This house had belonged to Robert Goffinet’s mother Jeanne Quairier, widow of General Théodule Goffinet (1851–1907) and daughter of Joseph Quairier, Avocat à la Cour de Cassation and Directeur de la Société Générale de Belgique. It seems likely that the pictures had belonged to Jeanne Goffinet-Quairier, who might have inherited them from her father. She died in 1930. At the Institut Royal du Patrimoine Artistique in Brussels are old photographs of the four paintings ‘possibly taken about 1930–40 by the photographer Becker of Brussels’: no one knows when or where the negatives were made. The four pictures, probably in the possession of the Goffinet family by 1930 and certainly owned by Robert Goffinet in 1942, passed to Robert’s brother Louis Goffinet (1892–1959), who lived at the château of Hyon, south of Mons. He left his property to his wife (Marie-Louise-Augusta Bouilliart de Saint-Symphorien); after her death in February 1979, their heirs sold the paintings and the château (bought from them on 14 November 1980 and demolished in 1983).
NG6585-NG6588 were eventually taken to a bank in Brussels, where they were under the care of two dealers, René Reding and F. De Scheemaecker. Offered for sale to the City of Antwerp, they were shown on 4 November 1981 to Carl Van de Velde. He was told that they had come from a castle near Mons; the owner’s name was not disclosed. Shortly afterwards, apparently in 1982, they were sold to Herman Van Roey, a collector, who was advised by the art historian Paul Verbraeken and who in 1986 lent them to the Museum voor Schone Kunsten in Ghent. They were the centrepiece of the exhibition Joachim Beuckelaer, Het markt- en keukenstuk in de Nederlanden 1550–1650, 12 December 1986 to 8 March 1987, and remained on public view at the museum until Mr Van Roey sent them to Christie’s, London, where they were sold on 13 December 2000 (lot 25) to the dealer Robert Noortman, Maastricht. They were bought for £3,323,821.88 from Robert Noortman in 2001, the purchase funded by the American Friends of the National Gallery, London.
